Audition Registration

Wylie Acting Group

Audition Notice

Fiddler on the Roof

PRINTABLE – Fiddler Audition Notice


Please read carefully!  Must complete the ONLINE REGISTRATION FORM at the bottom of this page!

Based on Sholom Aleichem’s Tevye and his Daughters, Fiddler on the Roof is the beloved story of the small, tradition-steeped town of Anatevka, Russia, where Jews and Russians live in delicate balance. During the course of the show, the time-honored traditions of Anatevka are both embraced and challenged by Tevye and his colorful community, as they witness his daughters, Tzeitel, Hodel and Chava, grow up and fall in love in a time of extraordinary change. Fiddler on the Roof’s Broadway premier became the longest-running Broadway musical in history, a title it maintained for almost ten years. It is a story that captures the essential human longings for love, community, success, freedom, family, and meaning. Fiddler features such iconic songs as the beautiful “Sunrise, Sunset,” the boisterous “If I Were a Rich Man”, and the classic “Matchmaker, Matchmaker.”


Directors: Nancy Whitney & Wes Barnes

Vocal Directors: Mark Hotopp & Kelly Hargrove                 Choreographer: Amanda Sturgeon

Production Manager: Tiffany Harrod


Roles:    Character and Ensemble roles are open to youth ages 8 to 18

Limited ensemble roles available for children ages 5 to 7


  Golde                     Constable                      Nachum

Tzeitel                     Lazar Wolf                    Yussel

     Hodel                      Yente                             Shaindel

 Chava                     Shprintze                       Sasha

   Tevye                      Bielke                             Mendel

     Motel                      Rabbi                              Mordcha

  Perchik                   Grandma Tzeitel             Fiddler

                                         Fyedka                          Fruma-Sarah



Audition Date:

Saturday, June 16th

Auditions will be held in the Wylie Acting Group theatre at 205 Industrial Court in Wylie. Arrive ready to have your photo taken and to sign some paperwork.  Photos will be used for the Starboard.  Please do not bring props to the audition.  Also, the casting committee requests that you do not wear costumes or face paint.


Audition Requirements:

Children ages 5-7

Arrive at 8:00 a.m.

Auditions begin at 8:30 a.m.

Plan to stay until about 10:00 a.m. – Child and an adult representative must check-in at the box office.  Both child and adult will be expected to stay through the audition.

Auditions include a memorized short poem or nursery rhyme.  Children will need to be able to sing “Matchmaker” – see link to performance tracks below


Youth ages 8-18

Arrive at 9:00 a.m.

Auditions begin at 10:00 a.m.

Plan to stay until about 1:00 p.m. with a couple of short breaks. Child and an adult representative must check-in at the box office.  Both child and adult will be expected to stay through completion. Bring water and a lunch/snack!

Auditions include a memorized monologue selected from the list provided below.  Please do not necessarily choose a monologue of the character you would like, rather choose a monologue that best showcases your talents. As this is a musical, all performers will need to be prepared to sing a song from the selection list. You will be expected to use the instrumental version of the song during auditions – no lyrics.


Matchmaker – Stop at 1:10 minutes

Audition track

Practice version w/lyrics

Far from Home I Love – Stop at 1:46 minutes

Audition track

Practice version w/lyrics


If I were a Richman – Stop at 2:00 minutes

Audition track

Practice version w/lyrics



Begin Tuesday June 19th

and will be held weekly on Tuesday/Thursday/Saturday for the most part. Generally, weekday rehearsals will be from 6:30 pm to 8:30 pm and Saturdays will be 9:00 am to 3:00 pm including time for vocal coaching and choreography. An in-depth rehearsal schedule is provided at the time of registration beginning three weeks before the audition date.  Attendance by child and adult representative at the first rehearsal is required and nonnegotiable. Rehearsal attendance is crucial, but no absences are allowed on any rehearsal marked mandatory unless disclosed in registration form conflicts. Inability to attend rehearsals affects casting eligibility.



  • Friday, August 24, 2018 at 7:00 p.m.
  • Saturday, August 25, 2018 at 2:00 p.m. and 7:00 p.m.
  • Friday, August 31, 2018 at 7:00 p.m.
  • Saturday, September 1, 2018 at 2:00 p.m. and 7:00 p.m.




PRINTABLE – Fiddler Audition Notice


Monologue Choices:


Tevye Monologue

That was quite a dowry you gave my daughter Tzeitel at her wedding. Was that necessary? …Anyway, Tzeitel and Motel have been married almost two months now. They work very hard. They are as poor as synagogue mice…But they are both so happy they don’t know how miserable they are. Motel keeps talking about a sewing machine. I know you’re very busy, God – wars and revolutions, floods, plagues – all those little things that bring people to You – couldn’t You take a second away from your catastrophes and get it for him? How much trouble would it be? Oh, and while you’re in the neighborhood, my horse’s left leg …Am I bothering You too much? I’m sorry. As the good book says … Why should I tell you what the good book says?



Perchek Monologue

Great changes are about to take place in this country. Tremendous changes. But they can’t happen by themselves. Many people, Jew, Gentiles, many people hate what is going on. Don’t you understand? Hodel, your father, the others here, think what happened at Tzeitel’s wedding was a little cloudburst and it’s over and everything will be peaceful again. It won’t. Horrible things are happening all over the land … pogroms, violence; whole villages are being emptied of their people. And it’s reaching everywhere, and it will reach here. I have work to do. The greatest work a man can do. Before I go (he hesitates, then summons up courage) there is a certain question I wish to discuss with you, A political question. The question of marriage. And I personally am in favor of it. Do you understand?




Motel Monologue

Reb Tevye, may I speak to you? I would like to speak to you about your problem. I think I can help. Reb Tevye, I hear you are arranging a match for Tzeitel. I have a match for Tzeitel. A perfect fit. Like a glove. This match was made exactly to measure. (Tevye shouts at Motel). Please, don’t shout at me. (Tevye asks… Who is it?) Who is it? It’s me – myself. As for being my own matchmaker, I know it’s a little unusual. Times are changing, Reb Tevye. The thing is, your daughter Tzeitel and I gave each other our pledge more than a year ago that we would marry. I have wanted to ask you for some time, Reb Tevye, but first I wanted to save up for my own sewing machine. Reb Tevye, even a poor tailor is entitled to some happiness.



Fyedke Monologue

I’m sorry about my friends. They mean no harm. I’d like to talk to you. I’ve often noticed you at the bookseller’s. Not many girls in this village like to read (A sudden thought strikes him. He extends the book he is holding). Would you like to borrow thus book? It’s very good. Oh, why not? Because I’m not Jewish? Do you feel about us the way they feel about you? I didn’t think you would. And what do you know about me? Let me tell you about myself. I’m a pleasant fellow, charming, honest, ambitious, quite bright and very modest. Go ahead, take the book. After you return it, I’ll ask you how you like it, and we’ll talk about it for a while. Then we’ll talk about life, how we feel about things and it can all turn out quite pleasant.



Lazar Wolf Monologue

Tevye, this is very important to me. I’m lonesome. I’m talking about your daughter. Your daughter, Tzeitel. I see her in my butcher shop every Thursday. She’s made a good impression on me. I like her. And as for me, Tevye, as you know, I’m pretty well off. I have my own house, a good store, a servant. Look Tevye, why do we have to try to impress each other? Let’s shake hands and call it a match. And you won’t need a dowry for her and maybe you’ll find something in your own purse, too. All right! We won’t talk about money. The main thing is, let’s get it done with. And I will be good to her. I like her. What do you think? You agree? Let’s drink on it!



Golde Monologue

It’s almost Sabbath. When will Papa be home? All day long riding on top of his wagon like a prince. Yes, I know he works hard, but his horse works harder! And you don’t have to defend your Papa to me, I know him a little longer than you. He could drive a person crazy. Shprintza (pronounced “sprin-za”), go bring me some more potatoes. Chava (pronounced “ha-va” – the H is guttural), did you finish milking? (she sees the book Chava was reading) You were reading again? Why does a girl have to read? Will it get her a better husband? I see Yente (pronounced “yen-ta”) coming down the road. Maybe she has good news. Go finish in the barn. I want to talk to Yente alone. Tzeitel (pronounced “z-eye-tul”), stop complaining about the kind of men Yente finds. A poor girl without a dowry can’t be so particular. You want hair, marry a monkey.



Yente Monologue

Ah, children, children! They are your blessing in your old ago. But my Aaron, may he rest in peace, couldn’t give me children. Believe me, he was good as gold, never raised his voice to me, but otherwise he was not much of a man, so what good is it if he never raised his voice? But what’s the use of complaining. Other women enjoy complaining, but not Yente. Well, I must prepare my poor Sabbath table, so goodbye Golde, and it was a pleasure talking our hearts out to each other. Oh! I’m losing my head. Of course, the news. It’s about Lazar Wolf, the butcher. A good man, a fine man, And I don’t have to tell you that he’s well off. But he’s lonely, the poor man. To make it short, out of the whole town, he’s cast his eye on your Tzeitel.



Tzeitel Monologue

A match?? The butcher? Lazar Wolf? I know you think it is a blessing, but, Papa, I don’t want to marry him. I can’t marry him. I can’t! Papa, if it’s a matter of money, I’ll do anything. I’ll hire myself out as a servant. I’ll dig ditches, I’ll haul rocks; only don’t make me marry him, Papa, please. I will be unhappy with him. All my life will be unhappy. I’ll dig ditches, I’ll haul rocks. Is your agreement more important than I am, Papa? Papa don’t force me. I’ll be unhappy all my days. Oh, thank you Papa! (pause) Papa, Motel wants to speak with you. He has something he wants to ask you. At least listen to him and please don’t yell at him. HODEL (speaking to Tevye at train station before she leaves to join Perchek in Siberia) You don’t have to wait for the train, Papa. You’ll be late for your customers. Perchek has been arrested and convicted, but he did nothing wrong. He cares nothing for himself. Everything he does is for humanity. I know he has troubles, but what wrongs did Joseph do, and Abraham, and Moses? And they had troubles. Where is he? It is far, Papa, terribly far. He is in a settlement in Siberia. He did not ask me to go to him. I want to go. I don’t want him to be alone. I want to help him in his work. It is the greatest work a man can do. Papa, I promise you, we will be married under a canopy. Goodbye, Papa, God alone knows when we shall see each other again.



Chave Monologue

My family still does not know about us. I will tell them, but I’m afraid. No Fyedka (pronounced “fee-yed-ka”), don’t talk to my father. That would be the worst thing, I’m sure of it. I’ll talk to him, I promise. (Fyedka leaves as Tevye enters). What were we talking about? Nothing, we were just talking. Papa, Fyedka and I have known each other for a long time and I … (Tevye interrupts). He has a name, Papa and Fyedka is not a creature, Fyedka is a man. Papa, the world is changing, I know you think some things will never change, but we don’t feel that way. Fyedka and I want to be married. You say that I should never talk about this again? Yes, Papa, I understand you. BIELKA & SHPRINTZE (speaking to Golde) AGES 8 -12 only Mama, where should I put these logs? Where is Chava ((pronounced “ha-va”)? She’s in the barn milking. When will Papa be home? It’s almost Sabbath. Look Mama, Yente’s (pronounced “yen-ta”) coming. She’s down the road. Maybe she’s finally found a good match for Tzeitel (pronounced “z-eye-tul”). Mama, can I go out and play?

PRINTABLE – Fiddler Audition Notice